When capturing pristine audio is paramount, the S-Mic 3 delivers what film and TV industry sound mixers need. Engineered to capture exceptional performance in even the most demanding conditions, this microphone sets a new standard for audio excellence.
$399
Elevate your sound quality to the next level. The S-Mic 3 delivers superior audio reproduction, capturing every nuance with precision. From the deepest lows to the crispest highs, the S-Mic 3 covers the full spectrum with its 50Hz to 20kHz frequency response range.
And with a sound pressure level of 130dB, the S-Mic 3 can handle even the loudest environments, ensuring distortion-free recordings.
Minimize unwanted background noise with a remarkable -18dB off-axis suppression, keeping your audio focused on what matters most. Enjoy a smooth tone and minimal off-axis coloration, allowing you to capture sound with true fidelity and authenticity.
With its high sensitivity, the S-Mic 3 requires less gain, reducing the risk of distortion and ensuring your audio maintains its pristine quality. Furthermore, the S-Mic 3 boasts a remarkable 12dB noise floor (A-weighted) for pristine audio in every recording.
The S-Mic 3 is 60% lighter than our previous long shotgun.
Crafted from durable aluminum alloy, the S-Mic 3 weighs a mere 80g, making it easy to handle and mount without adding unnecessary bulk to your equipment. The S-Mic 3's body was also designed to suppress radio frequency interference, ensuring clear audio.
Conquer humid shooting locations with confidence. The S-Mic 3 is engineered to withstand moisture, ensuring your audio remains crystal clear even in challenging environments. Whether you're working on a blockbuster movie, TV series, or a gripping documentary, the S-Mic 3 is your reliable partner for outstanding sound recording.
Engineered to withstand wind speeds of up to 15 KM/H, this windshield ensures that your recordings remain clear and free from unwanted noise. The Deity W01 features an internal rubber gasket that prevents sliding, keeping your windshield secured safely to your microphone during recording sessions.
Built in collaboration with Radius Windshields, the ASM-2 has exceptional isolation from movement, handling noise, and other vibrations associated with booming.
Extending up to 8.5", our carbon fiber boom pole pairs perfectly for outdoor booming situations.
Improving on a flagship
| Sound Field | Mono |
| Transducer | Condenser |
| Polar Pattern | Supercardioid |
| Frequency Range | 50Hz ~ 20kHz |
| Equivalent Noise Level | 12 dB A-Weighted |
| Max SPL | 130 dB SPL |
| Off Axis Rejection | 6 dB at 60° 14 dB at 120° >18 dB at 180° |
| THD | < 0.5% |
| Load Impedance | 800 Ohms |
| Sensitivity | -32±2dB re 1V/PA @ 1 kHz |
| Output Connector | 3-Pin XLR |
| Operating Current Consumption | 1.5mA |
| Operating Voltage | P 24V or P 48V |
| Operating Temperature | 14 to 158°F / -10.00 to 70.00°C |
| Length | 9.84″ / 250 mm |
| Diameter | 0.75″ / 19 mm |
| Weight | 0.17 lbs / 80g |
| Material | Aluminum |
The S-Mic 3 improves on elements from the original S-Mic 2, just as the S-Mic 2 improved upon the original Deity Shotgun. Most notable is the fact that the S-Mic 3 was designed to be used in conjunction with the rest of the S-Mic 3-series. This gives you a full toolkit of microphones that should edit naturally together in post.
You can get the S-Mic 3 in any color you want as long as the color you want is black.
The S-Mic 3 along with the rest of the 3-series of XLR microphone from Deity require 48V phantom power to operate. A camera using a 3.5mm jack for audio does not supply 48V to the microphone. You would be better served by using the V-Mic D4 or V-Mic D4 Mini with your camera.
