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How to set up timecode on your XTRA Muse

May 12, 2026 Blog

Step-By-Step User Guide Step #1 First things first, confirm your frame rate. In this case, I’m using 23.98. Step #2 Note that the frame rate in the menu is not the true frame rate the device captures. This is extremely common on devices of this type. Here is a quick conversion chart to help you
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DUBLIN WORKSHOP WITH BIG BEAR SOUND AND SAI

April 14, 2026 Blog

Deity are returning to Ireland! After an immensely successful European Tour, we have decided to extend our European reach by holding a workshop at the National Film School at Institute of Art, Design and Technology in County Dublin, Ireland, with Big Bear Sound and Screen Audio Ireland. Vincent will guide you through the full Deity
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How the PR-2 Gave Marko Sein 18+ Hours of Recording Time

April 10, 2026 Blog

How a sound recordist in Estonia built a scalable wireless workflow for Armastuse Malev on Kanal 2, using PR-2 body recorders as the backbone of a fully synced, multi-participant production. Reality television is a logistical challenge that most sound departments would rather not think about too hard. Participant counts shift mid-shoot, days stretch past any
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The Sidemen Upgrade to Deity

December 16, 2025 Blog

In the final working hour of Halloween 2025, the UK’s biggest and most popular YouTube group, The Sidemen, urgently required 30 (yes 30) Deity PR-2 pocket recorders. However, with it being post cut-off for orders in the Netherlands to be processed, and nobody holding 30 units in stock in the UK, the pressure was on
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30 Channels of Deity THEOS used on ‘Why You So Smart’

November 13, 2025 Blog

Reality TV is chaos. You’ve got talent everywhere, locations changing by the hour, and zero room for “let’s do that again, the audio dropped out.” When we took on Why You So Smart with 30 channels of wireless to manage, I knew we needed gear that could handle whatever got thrown at it. Weng Soon
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Sound Recordist Spotlight: Maitane Carballo

November 3, 2025 Blog

Location sound mixer Maitane Carballo has worked on independent films, branded content, and short series throughout her career, but the feature film “Cómo salvar el mundo” (How to Save the World) stands out. Produced by Mundo Cero and directed by Alejo Levis, the shoot threw some serious technical challenges her way, and gave her a
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