When capturing pristine audio is paramount, the S-Mic 3 delivers what film and TV industry sound mixers need. Engineered to capture exceptional performance in even the most demanding conditions, this microphone sets a new standard for audio excellence.
Elevate your sound quality to the next level. The S-Mic 3 delivers superior audio reproduction, capturing every nuance with precision. From the deepest lows to the crispest highs, the S-Mic 3 covers the full spectrum with its 50Hz to 20kHz frequency response range.
And with a sound pressure level of 130dB, the S-Mic 3 can handle even the loudest environments, ensuring distortion-free recordings.
Minimize unwanted background noise with a remarkable -18dB off-axis suppression, keeping your audio focused on what matters most. Enjoy a smooth tone and minimal off-axis coloration, allowing you to capture sound with true fidelity and authenticity.
With its high sensitivity, the S-Mic 3 requires less gain, reducing the risk of distortion and ensuring your audio maintains its pristine quality. Furthermore, the S-Mic 3 boasts a remarkable 12dB noise floor (A-weighted) for pristine audio in every recording.
The S-Mic 3 is 60% lighter than our previous long shotgun.
Crafted from durable aluminum alloy, the S-Mic 3 weighs a mere 80g, making it easy to handle and mount without adding unnecessary bulk to your equipment. The S-Mic 3's body was also designed to suppress radio frequency interference, ensuring clear audio.
Conquer humid shooting locations with confidence. The S-Mic 3 is engineered to withstand moisture, ensuring your audio remains crystal clear even in challenging environments. Whether you're working on a blockbuster movie, TV series, or a gripping documentary, the S-Mic 3 is your reliable partner for outstanding sound recording.
Improving on a flagship
| Sound Field | Mono |
| Transducer | Condenser |
| Polar Pattern | Supercardioid |
| Frequency Range | 50Hz ~ 20kHz |
| Equivalent Noise Level | 12 dB A-Weighted |
| Max SPL | 130 dB SPL |
| Off Axis Rejection | 6 dB at 60° 14 dB at 120° >18 dB at 180° |
| THD | < 0.5% |
| Load Impedance | 800 Ohms |
| Sensitivity | -32±2dB re 1V/PA @ 1 kHz |
| Output Connector | 3-Pin XLR |
| Operating Current Consumption | 1.5mA |
| Operating Voltage | P 24V or P 48V |
| Operating Temperature | 14 to 158°F / -10.00 to 70.00°C |
| Length | 9.84″ / 250 mm |
| Diameter | 0.75″ / 19 mm |
| Weight | 0.17 lbs / 80g |
| Material | Aluminum |
The S-Mic 3 improves on elements from the original S-Mic 2, just as the S-Mic 2 improved upon the original Deity Shotgun. Most notable is the fact that the S-Mic 3 was designed to be used in conjunction with the rest of the S-Mic 3-series. This gives you a full toolkit of microphones that should edit naturally together in post.
The frequency response is 50Hz~20kHz.
You can get the S-Mic 3 in any color you want as long as the color you want is black.
The S-Mic 3 along with the rest of the 3-series of XLR microphone from Deity require 48V phantom power to operate. A camera using a 3.5mm jack for audio does not supply 48V to the microphone. You would be better served by using the V-Mic D4 or V-Mic D4 Mini with your camera.
<h3><a href=”https://deitymic.com/products/#video”>Learn More about DSLR Microphones</a></h3>
